James Earl Jones’ Voice Is the Only Reason the Most Iconic Villain in Movie History Exists
To remember the legendary actor, we look back on his achievements in the field of voice acting.
To remember the legendary actor, we look back on his achievements in the field of voice acting.
In space, no one can hear you scream… in confusion.
Opinion: Why the Sixth Sense auteur has endured over 25 years of filmmaking.
Opinion: Marvel's first family is perfectly positioned to usher in the new era of Avengers.
Hollywood, is this really the best we can do?
The smart sharks still have some bite.
Robert Downey, Jr. in the House (of Ideas).
Can we please get a new Wolverine?
Rick Jones used to be one of the most important players in Marvel’s comics. But the loss of the teen sidekick speaks to the dramatic change in exactly who consumes superhero stories these days.
15th time’s the charm.
With Konami’s Delta remake on the way, we examine what made the PS2 classic stand tall above other prequels.
The case for reviving two of PlayStation’s classic shooter franchises.
Why Christophe Gans’ 2006 film was one of the first good game movies.
Why the house that built the MCU needs to embrace its Saturday morning roots.
How the apes have stayed atop the sci-fi blockbuster pile.
The start of the Star Wars Prequel Trilogy changed the way blockbusters would be made for decades to come.
On the anniversary of the Infinity Saga’s conclusion, we look back at the plot point that has continued to have the most complicated effect on the greater MCU.
Dear Hollywood: Please cast Rebecca Ferguson in every movie, thank you.
The Big G’s Oscar win proves Hollywood needs to change its attitude towards VFX.
If Denis Villeneuve can make sandworms work for less than $200 million, then so can you.
Our writer argues that, despite its flaws, Denis Villeneuve’s sci-fi epic hit at just the right time.
Why the face of Latveria’s monarch is best left unseen.
The small screen seems to be the go-to place for laughs.
It might be time to start recollecting those discs.
How the King of the Monsters has stayed relevant 70 years on.
Higher, further, and way too fast(er).
Not quite cooked, but not quite cooking.
One of our best genres deserves the biggest screens.
Marvel goes through a tumultuous period as they prepare for the 1980s.
Guillermo del Toro’s kaiju picture shows the road not taken.
The mid-1970s brings some of Marvel’s boldest moves yet.
Barry Allen’s time travel jaunt is an awkward end to an awkward franchise.
How the “rules of canon” might be hinting at big reveals for Beyond the Spider-Verse.
Continuing our look back at the evolution of Marvel Comics, Marvel matures by taking the leap into the Bronze Age.
The new hero’s MCU introduction may have come far too late.
Or, how Iron Man learned about his real superpower.
The height of Marvel’s Silver Age gave us many iconic stories and characters that persist to this day.
The “new dynasty” needs a stronger foundation.
The Sentinels are born, Cap dethaws, and Kang the Conqueror arrives!
M. Night’s latest shows what he’s always wanted us to take away from his films.
And how its affects are still being felt today.
The 'Thanos Effect' might've been the best thing about the latest round of MCU movies.
She's treated more like a plot device than a fully fleshed-out character, but this isn't the first time Marvel has taken this tact with a potential Young Avenger.
The Fantastic Four movie won’t necessarily be the Latverian villain’s first appearance.
Marvel’s First Family’s Most Wanted.
When blowing everything up is the best option.
Don’t mess with a (somewhat) good thing.
One of the last survivors before extinction.
One of our greatest directors’ weirdest films.
Some blockbusters are just too big to be replicated.
Now he is the master.
The Matt Reeves film's final act betrays its ambitions.
Can we have our sequel cake and eat it too?
Making friends with old enemies.
Opinion: Finding meaning is easier when the pressure is off.
The Falcon and the Winter Soldier’s Baron Zemo is a good reminder that the best baddies are usually also the longest-lived. Here's why Marvel Studios shouldn't kill their villains.
Godzilla vs. Kong is the first MonsterVerse movie where one of the monsters is the actual main character -- the hero.
With Godzilla vs. Kong now just around the corner, the previous MonsterVerse films have ostensibly all led to this particular title fight. But examining the films a little closer will reveal that the most consistent throughline in all of them was the changing relationship between humanity and the giant monsters that tower over us.
A long-lost brother might also have been a lost cause in WandaVision. This is why the Pietro/Quicksilver situation didn't really work on the Marvel show.
As 10 Cloverfield Lane hits its five-year anniversary, we take a look back at the controversial ending -- and why it works.
Based on Wonder Woman and Wonder Woman 1984, maybe final bosses should take some time off in the Patty Jenkins DC movies.
We search our feelings for why Rey and Kylo Ren's three-movie story doesn't land in Star Wars: The Rise of Skywalker.
It’s time to look at all the Disney Star Wars films, and how the studio made the new movies “about” making new Star Wars movies.
Even the last Jedi has to face her darkest hour. This is why Rey embracing the Dark Side was inevitable.
With news that Taika Waititi is writing and directing Thor 4, we list the heroes, villains and comics Marvel could use.
Spider-Man: Far From Home spoilers! We take a look at how Mysterio's plan is a pointed commentary on the stakes of most Marvel Cinematic Universe movies.
As Fallen Kingdom hits its first anniversary, we look at how director J.A. Bayona turned a dinosaur blockbuster into a fairy tale about the value of empathy.
We analyze how Avengers: Endgame saw Iron Man and Captain America's character arcs impact one another.
We analyze the idea of whether The Rise of Skywalker is retconning The Last Jedi.
After Fantastic Four was unceremoniously canceled years ago, Marvel's First Family is back. We look at the first run to see if it was worth the wait.